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media:professor_yuko_and_the_book_of_agibas

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media:professor_yuko_and_the_book_of_agibas [2019/05/05 17:30] – ↷ Links adapted because of a move operation wesmedia:professor_yuko_and_the_book_of_agibas [2019/09/14 06:57] – ↷ Links adapted because of a move operation wes
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 After that, visual effects were put into place. Again, the focus was on the use of mechanical and principal effects, rather than on digital effects, although there was a significant increase in the use of [[wp>saturation]] and [[wp>tints and shades|Colour Toning]]. The death scene of Wallis was created using several models and stop-motion, but eventually was enhanced digitally to create a more real experience. Also, [[wp>CGI]] was used in a limited way to enhance the physical performance of the actors, in particular during action scenes. All these upgrades pushed the budget passed at least twice that of the last film, especially with the motion capture, that included Agibas and his guards. After that, visual effects were put into place. Again, the focus was on the use of mechanical and principal effects, rather than on digital effects, although there was a significant increase in the use of [[wp>saturation]] and [[wp>tints and shades|Colour Toning]]. The death scene of Wallis was created using several models and stop-motion, but eventually was enhanced digitally to create a more real experience. Also, [[wp>CGI]] was used in a limited way to enhance the physical performance of the actors, in particular during action scenes. All these upgrades pushed the budget passed at least twice that of the last film, especially with the motion capture, that included Agibas and his guards.
  
-The official release was set on 24 November of [[timeline:ye_39]], but was pushed back to 15 December, to allow the screening to focus upon the [[faction:yamatai:year-end_traditions]] popularity, mimicking the release of the first film. Official sources from [[corp:yukosfilm]], however, claimed that post-production was delayed by almost a month, which led to the pushback. The film received a PG-13 rating, with 'Violent' and 'Scary Content' warnings, the same as its [[wip:media:professor_yuko_and_the_secret_of_the_tomb|prequel]]. +The official release was set on 24 November of [[timeline:ye_39]], but was pushed back to 15 December, to allow the screening to focus upon the [[timeline:events:year-end_traditions]] popularity, mimicking the release of the first film. Official sources from [[corp:yukosfilm]], however, claimed that post-production was delayed by almost a month, which led to the pushback. The film received a PG-13 rating, with 'Violent' and 'Scary Content' warnings, the same as its [[wip:media:professor_yuko_and_the_secret_of_the_tomb|prequel]]. 
  
 The original title of both the script and initial marketing campaign, the Scrolls of Agibas, was rebranded as the Book of Agibas in June [[timeline:ye_38]], to prevent the titles of the two films from appearing to similar. This prompted a return of almost all original matte paintings by Riyake Mojo, who was ordered to redesign the film poster.  The original title of both the script and initial marketing campaign, the Scrolls of Agibas, was rebranded as the Book of Agibas in June [[timeline:ye_38]], to prevent the titles of the two films from appearing to similar. This prompted a return of almost all original matte paintings by Riyake Mojo, who was ordered to redesign the film poster. 

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