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media:professor_yuko_and_the_book_of_agibas [2018/01/01 04:54] – yoerik | wip:media:professor_yuko_and_the_book_of_agibas [2018/05/23 22:17] – ↷ Page moved from media:professor_yuko_and_the_book_of_agibas to wip:media:professor_yuko_and_the_book_of_agibas frostjaeger | ||
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* Visual Effects: LLE, Jigato Mar (Supervisor), | * Visual Effects: LLE, Jigato Mar (Supervisor), | ||
* Music Written, Composed and Conducted by: Johann Wilhelmus, Elester (Associated) | * Music Written, Composed and Conducted by: Johann Wilhelmus, Elester (Associated) | ||
- | * Music Orchestrated by: Johann Wilhelmus, Kyoto National Symphony Orchestra & Choir, recorded at [[location: | + | * Music Orchestrated by: Johann Wilhelmus, Kyoto National Symphony Orchestra & Choir, recorded at [[wip:location: |
* Stunts: Chuck Falstron (Supervisor), | * Stunts: Chuck Falstron (Supervisor), | ||
* Script Supervisors: | * Script Supervisors: | ||
Line 147: | Line 147: | ||
Marcus Elester, executive producer and spiritual creator of the source work for Professor Yuko, was very pleased with the success of the original [[media: | Marcus Elester, executive producer and spiritual creator of the source work for Professor Yuko, was very pleased with the success of the original [[media: | ||
- | Several characters were derived directly from Marcus' | + | Several characters were derived directly from Marcus' |
Also, producer Higaro Mate left shortly after the first film's completion to focus upon production of two other films. With that, Vibrant Cloud Filmworks, an independent production house from [[system: | Also, producer Higaro Mate left shortly after the first film's completion to focus upon production of two other films. With that, Vibrant Cloud Filmworks, an independent production house from [[system: | ||
- | Thanks to camera operators Högmann and Haupt, who both worked on the previous film, shooting time could be cut to a minimum. Also, Production designer Yukate Maro and Costume designer Rafid Cagnasteriff returned to provide services, all aided by a new employee in their field. Make-up designer Gerald Mulhausen quit shortly after the completion of the first film, but luckily was replaced by multi-[[faction: | + | Thanks to camera operators Högmann and Haupt, who both worked on the previous film, shooting time could be cut to a minimum. Also, Production designer Yukate Maro and Costume designer Rafid Cagnasteriff returned to provide services, all aided by a new employee in their field. Make-up designer Gerald Mulhausen quit shortly after the completion of the first film, but luckily was replaced by multi-[[wip:faction: |
==== Principal Photography ==== | ==== Principal Photography ==== | ||
- | [[wp> | + | [[wp> |
- | Several other scenes, including the opening, were filmed on [[system: | + | Several other scenes, including the opening, were filmed on [[system: |
Principal photography was concluded in September of [[calendar: | Principal photography was concluded in September of [[calendar: | ||
- | Some of the shots were filmed using the 70mm Super HydroScope, one of [[wip: | + | Some of the shots were filmed using the 70mm Super HydroScope, one of [[wip: |
==== Post-production ==== | ==== Post-production ==== | ||
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==== Accolades ==== | ==== Accolades ==== | ||
- | The movie was nominated for 6 [[faction: | + | The movie was nominated for 6 [[wip:faction: |
- | Along 5 [[faction: | + | Along 5 [[wip:faction: |
===== OOC Notes ===== | ===== OOC Notes ===== | ||
[[user: | [[user: |